A Performance by Pedro Zylbersztajn and Conversation with Gabriela Rangel
Free admission. Kindly RSVP.
Brazilian artist Pedro Zylbersztajn will perform "brickwork" (2017), a physical record of the process of re/constitution of language. Unfolding as a 12" disc/book and a performance, it is based on a circular text that regards language use as a permanent building site. The makeshift process of fabricating the record creates, in itself, a series of impediments to a pristine listening of the words. As the needle progresses and radial distances diminish, textural noises take over and sound resolution decreases. Each side of the record provides new breath to the text, that degenerates and regenerates differently for every cycle.
A conversation with Americas Society Chief Curator and Director of Visual Arts Gabriela Rangel will follow the performance.
Event Information: Veronica Flom | vflom@as-coa.org | 1-212-277-8367
Media Relations: mediarelations@as-coa.org | 1-212-277-8333
Membership Information: as-coa.org/CulturalCircle | membership@as-coa.org
Image: Courtesy of the artist.
About the artist: Pedro Zylbersztajn (São Paulo, 1993) is a graduating master's candidate at the MIT Program in Art, Culture, and Technology. He has been an active participant of the art publishing scene in Rio de Janeiro and São Paulo since 2014, has participated in a number of group shows in Brazil and in the United States, and held his first solo exhibition at Casamata gallery, Rio de Janeiro, in 2016. His practice resides in the crossing space between different polysemic (intra)actions, such as reading, drawing, writing, editing, programming and sounding, and his work is particularly inclined to discuss language, rhetoric, translation, and the social-artistic-semantic implications of technology.
The Brazilian artist Pedro Zylbersztajn will perform "brickwork" (2017), a physical record of the process of re/constitution of language.
7 p.m.
Event Funders
The exhibition has been organized by the Getty Research Institute, Los Angeles, and was previously on view as part of Pacific Standard Time: LA/LA at the Getty Center (September 16, 2017-January 7, 2018).
Americas Society gratefully acknowledges the support from the Arts of the Americas Circle members: Estrellita Brodsky; Galeria Almeida e Dale; Kaeli Deane, Phillips; Diana Fane; Boris Hirmas; Isabella Hutchinson; Carolina Jannicelli; Roberto Redondo and Carlos Manso; Erica Roberts; Sharon Schultz; Herman Sifontes; Axel Stein, Sotheby’s; Edward J. Sullivan; and Juan Yarur Torres.
The presentation of The Metropolis in Latin America, 1830-1930, at Americas Society is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, and is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
Additional support is provided by The Achelis and Bodman Foundation, the Smart Family Foundation of New York, Genomma Lab Internacional, The Cowles Charitable Trust, and by AMEXCID, the Consulate General of Mexico, and the Mexican Cultural Institute of New York. In-kind support is provided by the Consulado General y Centro de Promoción de la República Argentina en Nueva York.
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